I spent a lot of time in nature this past summer. I was in The Thousand Islands of Upstate NY, Hunterdon County and the Delaware River in Frenchtown, NJ, and Maine. Getting out of my studio and spending time in nature was really great for me.
During my adventures I collected leaves, branches, and rocks to bring back my studio and photographed them. They are nothing really special, just ordinary objects you can find anywhere in nature. However, I found beauty in their shapes and colors. I stylize them in my studio and photographed them in film with my Sinar 4x5 camera.
The original prints for this series are available at my website.
Apple announced that the new i-phones will be equipped with 12 megapixel cameras. Canon has introduced a new full-frame mirrorless camera system. Tons of “new” and “better” cameras come out every year. I mainly use digital cameras for commercial photographs and that forces me to check out new gear and see what’s up and coming in the photo industry.
However, I still use film. Especially for my fine art work, I believe that black and white film photography is the way to go.
Film is not cost-effective today; if I make a mistake I just end up wasting my money. The image quality of film photography often seems inferior to today's digital photography. Film photography is not immediate, it takes patience; I don’t know how my photographs will come out until I have time in the darkroom. And if I shoot outside, I have to bring film rolls and they get cumbersome. Ok, so why I am still shooting with film?
Reason 1: I like black and white photography because I started photography before digital cameras were common. When I was young I studied master photographers’ photos and they were all black and white. In my opinion, the ultimate mode of photography is black and white film.
Reason 2: I like being in the darkroom. The darkroom brings me to a meditative state, it's like yoga. When the mood strikes I listen to some jazz but usually I prefer silence so that all I hear is the sound of running water. The darkroom is so mysterious, I love the process that takes place in my darkroom.
Reason 3: I like the smell of film photography. The odors produced in the darkroom are arguably bad for my health and most people find them unpleasant but oddly, I love it.
I worry that film won’t be around forever; my favorite photography practice depends on the livelihood of film and paper manufacturers. I hope I can continue to shoot, process, and develop film for the rest of my life.
I have been in New York for nearly 15 years and as a photographer I have been lucky to meet many people and make great friends from all around the world (Thanks, Big Apple).
People say that if you have been in New York for more than 10 years, you are a New Yorker. Okay, I love the idea of being considered a New Yorker but here is my problem. My tongue muscles are still not functioning as they should be, my Japanese accent is really HEAVY! I studied English in college, learned at work and from friends, and took additional English pronunciation classes. Yes, they helped but I realize that some people still have hard time to understanding me. If it's friends, I usually tell them to hang out with me more so they can get used to my accent. If its work, I tell them to hire me more often so they can understand me better. I suppose I’m lucky that I’m a photographer and essentially I can use my photographs as a visual language.
There are so many non-native English speakers in New York. I hear all different kind accents everyday, so I may not need to care too much about my accent but I stillwant to improve and reduce it. Maybe it’s too late to build English speaking muscles but is there a way I can sound clearer and understandable to everyone?
So here is the method I come up with: when I speak Japanese, I imitate accents of non-native Japanese speakers whose first language is American-English. If I can sound like them in Japanese, I can sound like them in English as well? This is probably a dumb idea but I want to see how it goes. Learning languages should be fun, right?
Time flies with this camera, it's been three years since I purchased my brand new Fuji X Pro-2.
The purpose of owning this camera is for me to take it anywhere I go outside my studio. This camera is always with me; I have photographed the streets of New York City, forests, mountains, and rivers.
When I was in the market for a digital camera I wasn’t too concerned about the quality of photographs it would shoot because these days almost any digital camera can do a high quality job. Most importantly, I wanted to have the same excitement as when I got my first film Nikon mechanical SLR camera. X Pro-2 did the trick because of its classic-camera-feel, mechanical and beautiful design, lightness, and simple controls; all of these characteristics spark a sense of nostalgia for my early days in photography.
I appreciate technology and understand how people get excited about buying a new digital camera every few years. But this camera ages well just like a pair of jeans and I’m enjoying it more and more. For me, the X Pro-2 is still doing the trick and I know that I’ll continue to use this camera for a long, long time.
I always find it inspiring to work with musicians. Photographing their portraits is like jamming with them in a way.
I photographed Jarrod back in December 2017 at my studio in Jersey City. He came by between his tours. This became my favorite portrait session.
Camera Equipment: Hasselblad 500cm, Carl Zeiss Sonnar 150mm, Ilford FP4,
It is such an honor to have my work been selected in Graphis Photography Award 2018. Graphis is an international publisher of books on communication design and I always wanted to my work in it. I am absolutely happy about I won the Gold and Silver Awards in 2017 and 2018.